Dispelling reality by means of refracted light entwined with adaptable form, the photographic series ‘Waterscapes’ acts on the natural subtlety of open composition derived from impressionism. Through the images a nondescript vista of numerous motives is left abstracted for the active preconceptions of the spectator to define.

The photographs can be seen as an expression of internal space, which is serene and quiet, yet fleeting. The resulting inscapes subvert the experience of recognition, transforming the images into mere moments of impression.