The aim of the thesis was to design several different styles of musical notation, alternatives to the conventional one for differentiating them by musical genre (classical music, jazz, math metal and contemporary music), instrument and historical context. For this process the forms were taken from existing typefaces.
Supervised by Massimo Pitis
IUAV — UNIRSM Republic of San Marino
Bachelor Degree in Industrial Design
AY 2011/2012
