The short film, Yellow, represents a gedankenexperiment in which the concept of yellow functions as an intermediary between two opposing realms,or polarities, its identity being symbolic of fusion or syncretism. Expressed differently, it represents the embodiment of contraries, reflecting both acceptance within the ethos of shared communal values and beliefs and rejective elements. Conceptually, the work inhabits both ‘spaces’ simultaneously and suggests the possibility of transcendence.