A piece from my time in Melbourne at RMIT University, from Pen Strokes to Key Strokes is a seven-page double sided document created in an accordion fold format (otherwise known as a concertina). Each side serves its own purpose - the red, white, and black being the "formal side" which received a far more gridded and structured treatment, and the black and white "informal" side, designed cramped, chaotic, and corrupted to show two approaches to designing the same text.  It's an exercise in exploring the different ways content can be mediated by design.