This sequence of the narrative is inspired by Constantine Cavafy's Ithaka, which I was vocal enough to discover this line of vision as a child and emphasized the destination and the constant in the boat as a young adult later on.
The representation method of this work relies on Unreal Engine (the pattern emerges as a final form in consecutive time periods, aspect-to-aspect) and Vectornator (scene-to-scene and subject-to-subject). Visual language has two predefined states and the system of time counting and interpretation is personal.
Man and material compose a weak unity against space, which surrounds them in recursive cycles as commodities in the essence of this work - how does it feel to notice a different version of yourself each time in the space?
map, scene-to-scene
actor, subject-to-subject
